The Beatles Finally Let It Be includes the January 1969 rehearsals and recording sessions; the unreleased "Get Back" albums; "Let It Be" and "Let It Be...Naked;" along with American; British and Canadian perspectives. This volume also includes a detailed breakdown of every song released from those sessions as well as firsthand stories from lucky fans who were there for the Beatles final public performance on the roof of Apple Studios; January 30, 1969.

In July of 1969 the Beatles returned to Abbey Road studios; where they had first begun their incredible partnership with producer George Martin; seven years earlier. The band recaptured the magic and camaraderie from the earliest sessions and Abbey Road would go on to top the charts in both the UK and the US. Although the group's January 1969 recordings would eventually be issued on Let It Be in May 1970; Abbey Road would be the last album recorded by the Beatles.

June 1, 1967, is a landmark moment not just for the Beatles but also for the world of rock and roll as it marks the release date for one of the most famous albums in the history of modern music. The Beatles and Sgt. Pepper: A Fans' Perspective is about Sgt. Pepper; written by fans for fans. In addition to essays written by Spizer, Al Sussman, Frank Daniels, Piers Hemmingsen, and Bill King. Included are dozens of fan recollections that add a personal touch demonstrating the true impact of the Beatles. This book is a celebration of the most famous band in modern music history and their album, Sgt. Pepper's Lonely Hearts Club Band is considered by many to be the most famous record of rock and roll.

For many Beatles fans, the group's two-disc set from November 1968 is their favorite Beatles album. It was titled "The Beatles," but became known as "The White Album" for its pure white cover. At over 90 minutes long, it is filled with 30 incredible songs that range from rock 'n' roll to folk to heavy metal to calypso to country & western to raunchy rockers to lush ballads. There are parodies of the Beach Boys and Bob Dylan, along with a long sound collage unlike anything most listeners had ever heard before. The Beatles White Album and the Launch of Apple covers not only the group's remarkable double album, but also the birth of their Apple business venture and Apple Records' stunning debut with "Hey Jude," "Revolution" and Mary Hopkin's nostalgic classic "Those Were The Days.

The Beatles Solo on Apple Records" is the companion piece to Bruce Spizers critically acclaimed "The Beatles on Apple Records." This book details the solo records released by John, Paul, George and Ringo on theirown Apple label in America, starting with the December, 1968, release of Georges "Wonderwall Music" album and ending with the December, 1975, release of Georges single "This Guitar (Cant Keep From Crying)." All solo projects are covered, including all of the albums and singles released by John & Yoko and Paul McCartney & Wings, as well as classic albums such as "Imagine," "Band On The Run," "All Things Must Pass" and "Ringo." The book provides comple te session and chart information and shows all picture sleeves, album covers and label variations, along with many of the promotional posters, displays and trade magazine ads. The bookis hard cover and printed on heavy weight glossy paper. It has over 900 images (all in full color or original black & white) spread throughout the the books 358 pages.

The Beatles Are Coming! covers the Beatles first visit to the United States and the events leading up to the group's arrival on February 7, 1964. It is the most thorough and accurate book ever published on how Beatlemania evolved in America. The book details why Capitol Records turned down the Beatles four times before finally agreeing to release their records. It tells the stories of two small companies, Vee-Jay and Swan, who issued the group's records without success in 1963. It details the American media coverage of the Beatles in late 1963, when Beatlemania was viewed as a curious fad happening in England that could never catch on in the United States. It explains how the Beatles were booked for The Jack Paar Program and The Ed Sullivan Show, as well as two concerts at Carnegie Hall. The book concludes with stories and pictures of the Beatles historic first U.S. visit in February, 1964. The book contains over 450 images, including many previously unpublished photos of the Beatles. Foreword by Walter Cronkite.

In January 1969, the Beatles abandoned the familiar confines of EMI Studios on Abbey Road by rehearsing at Twickenham Film Studios and recording an album's worth of songs in the basement and on the roof of Apple's Sevile Row headquarters. The Beatles began recording sessions with three different producers-Glyn Johns, George Martin, and Chris Thomas alternating at the helm. After this erratic start to the year, the group decided it was time to get back to where they once belonged. That July, the Beatles returned to Abbey Road, where seven years earlier they had their first recording session with George Martin. The band recaptured the magic and camaraderie that was missing during the January sessions, and the resulting album, Abbey Road , quickly topped the charts in both the UK and the US. Although the group's January 1969 recordings would eventually be issued on Let It Be in May 1970, Abbey Road would be the last album recorded by the Beatles. This latest book in Bruce Spizer's Beatles album series covers all of the records released by the Beatles in 1969, from "Get Back" onward.

Beatles For Sale on Parlophone Records covers all of the singles, albums and extended play discs issued by the Beatles in the U.K. from 1962 through 1970. Each record is given a separate chapter, which tells the stories behind how the songs appearing on the disc were written and recorded. The chapters also detail how the records were marketed and contain sales and chart information. The book has chapters on the history of EMI and Parlophone Records, how records are mastered and manufactured, how EMI contracted with other record companies to press Beatles singles and albums to help meet demand, British radio and record charts in the sixties and other record-related topics. The book has over 700 illustrations, all in either color or original black and white.